From one Etude to the other, Celia Oneto Bensaid provides a portrait of the artist at work. From her committed playing, and her sparkling tones, comes a world of resonance, where the great pianists of the past converse with today’s interpreters of the music. A passionate reflection on the étude’s inherent repetition, and the infinite potential of this repetitive music, given form by Philip Glass, this cycle is heard as a perpetual search for emancipation.