1 Biography; Study Pack. Continuing the family business was typical at the time. 1552-1614 Lavinia Fontana est née à Bologne le 24 août 1552. She also received an academic education. the mother and son from classic mythology who superintend passion and infatuation. Lavinia Fontana, Self-Portrait with the Spinet Accompanied by a Handmaiden (1577). After her marriage, Fontana sometimes signed her work with her married name. She is considered the first woman to carry out large private and public commissions. biographie Lavinia était la fille du peintre maniériste Prospero Fontana , dans l'atelier duquel pourrait dessiner, à côté des enseignements de son père, à un large éventail d'expériences picturales, Emilia (de Parmigianino à Pellegrino Tibaldi), Veneto (Veronese, Jacopo Bassano), Lombardie ( Sofonisba Anguissola ) Et la Toscane. Name: Lavinia Fontana Bith Date: 1552 Death Date: August 11, 1614 Place of Birth: Bologna, Papal States Nationality: Gender: Female Occupations: artist, painter. She is regarded as the number one female career artist in Western Europe as she relied on commissions for her income. It is known that the artist played spinet (a smaller type of clavichord) and could read Latin. Born in Bologna in 1552, Lavinia Fontana was the daughter of cosmopolitan fresco artist and teacher Prospero Fontana, who established his reputation in Rome and joined Giorgio Vasari in adorning Florence's Palazzo Vecchio. Accademia Nazionale di San Luca, Rome 2. This extensively illustrated book is the first comprehensive study of Fontana in the English language. The Lavinia Fontana Study Pack contains: Biographies (1) Lavinia Fontana 1,031 words, approx. Born in Bologna in 1552, Lavinia Fontana was the daughter of cosmopolitan fresco artist and teacher Prospero Fontana, who established his reputation in Rome and joined Giorgio Vasari in adorning Florence's Palazzo Vecchio. This extensively illustrated book is the first comprehensive study of Fontana in the English language. She was the main breadwinner of a family of 13. View Lavinia Fontana’s 183 artworks on artnet. Corrections? Take for instance Lavinia Fontana. In this same period, Fontana completed "The Dead Christ with Symbols of the Passion" and "The Holy Family," the latter an undated piece that creates an adult triad of the Virgin Mary and Elizabeth comparing the virtues of their toddler sons Jesus and John the Baptist, while the third figure, a colorless Joseph, looks on in the background. LAVINIA FONTANA’S CLEOPATRA THE ALCHEMIST 1161 conversion activities.5 These cultural events were probably noted by Fontana, especially when Pope Paul V requested that she painta two portraits: one of the Persian Ambassador residing in Rome, and the other of Lavinia Fontana (1552-1614) Self-portrait- Lavinia at the clavichord. After about 1600—when she executed Vision of St. Hyacinth, a work commissioned by the cardinal of Ascoli—Fontana’s work was introduced to Rome; she moved to Rome three years later and continued painting portraits and altarpieces. The altarpiece adorned one of Rome's seven pilgrimage centers, the church of San Paolo Fuori le Mura, until the building was consumed by fire in 1823 and the painting was lost. Lavinia was trained by her father and followed his Mannerist style. It is known that the artist played spinet (a smaller type of clavichord) and could read Latin. This extensively illustrated book is the first comprehensive study of Fontana in the English language. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. View Lavinia Fontana biographical information, artworks upcoming at auction, and sale prices from our price archives. Encyclopedia of World Biography on Lavinia Fontana A producer of over 135 sophisticated oil paintings, Lavinia Fontana (1552- 1614) was one of the first female portraitists to seek commissions. Her earliest known work, "Child of the Monkey", was painted in 1575 at the age of 23. Her large and renowned body of work encompasses several genres, including altarpieces, history paintings, and portraits. Lavinia Fontana est l'unique enfant de Prospero Fontana, peintre de la contre-réforme très en vogue auprès des papes. Venturing beyond traditional still lifes and set poses into high drama, she painted mythic and biblical figures on a grand scale and used as models female and male nudes. Get notified when Lavinia Fontana's biography is … Son père est peintre de la contre-réforme très en vogue auprès des papes. Bolognese painter Lavinia Fontana was the most significant and prolific woman artist of Renaissance Europe. Lavinia Fontana's brief biography in Malvasia's Felsina pittrice states quite explicitly that the major reason for her success as a painter in Bologna was the kind of clientele that she could command.2 First, Malvasia gives primary importance to her relationship with the Boncompagni family, who gave her In 1603, after her father's death, Fontana was a recipient of a rare honor, particularly for a female artist, when Pope Clement VIIII summoned her to an audience in the papal palace. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Her father, Prospero, was a painter at the local school and taught his daughter all he knew about the craft. Fontana used imagination to recreate images from the past. She was trained by her father Prospero Fontana and was active in Bologna and Rome. She was also the main breadwinner of a family of 13. Popes Gregory XIII and Clement VIII each posed for her in ceremonial regalia and the Vatican offered her commissions normally contracted to male artists. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. She was the daughter of Prospero Fontana, a leading Bolognese exponent of Mannerism. Unlike most female artists of the period, Lavinia received encouragement at home, where her father taught her to paint. Lavinia Fontana was an Italian Artist. "Lavinia Fontana," http://www.nmwa.org/legacy/bios/bfontana.htm (January 15, 2002). Lavinia Fontana (1552, Bologna — 11 August 1614, Rome) was an Italian artist of the late Renaissance, a representative of Mannerism. Son père est peintre de la contre-réforme très en vogue auprès des papes. They didn’t know each other, either. NATIONAL MUSEUM of WOMEN in the ARTS Artist’s Biography Fontana also produced many religious paintings; among her best was Noli me tangere (1581). Such qualities are reflected in Fontana's self-portrait that now hangs in the Uffizi Gallery at Florence. Her earliest known work, … Lavinia Fontana (August 24 1552-August 11 1614) was an Italian painter.. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Fontana's work was lucrative enough to support her family. Here is yet another fabulous lady in history, Lavinia Fontana. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Lavinia Fontana. She was the daughter of Prospero Fontana (1512-1579), a prestigious Bolognese painter with whom she trained and worked. Born in Bologna in 1552, Lavinia Fontana was the daughter of cosmopolitan fresco artist and teacher Prospero Fontana, who established his reputation in Rome and joined Giorgio Vasari in adorning Florence's Palazzo Vecchio. She is regarded as the first woman artist, working within the same sphere as her male counterparts, outside a court or convent. Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bolognese Mannerist painter active in Bologna and Rome. Voir plus d'idées sur … Beyond other women seeking careers in art, she flourished in an open-minded city that claimed painter Caterina dei Vigri as patron saint and which had welcomed women to its university since its opening in 1158. She was the first woman artist to paint female nudes, and possibly the first female to use live nude female models[2]. See available paintings, works on paper, and prints and multiples for sale and learn about the artist. As confirmed by documents published by Unlike most female artists of the period, Lavinia received encouragement at home, where her father taught her to paint. Articles from Britannica Encyclopedias for elementary and high school students. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Lavinia Fontana, connue aussi sous le nom de Lavinia Zappi (Bologne, 24 août 1552 - Rome, 11 août 1614) est une peintre italienne maniériste de l' école romaine. The Art Newspaper is the journal of record for the visual arts world, covering international news and events. For "Visit of the Queen of Sheba," which now hangs in Dublin's National Gallery, Fontana improvised a demanding narrative scene that depicts the unnamed queen's royal presentation to Solomon albeit in Renaissance costume and court. Let us know if you have suggestions to improve this article (requires login). Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Biographie. “Lavinia Fontana and Female Life Cycle Experience in Late Sixteenth Century Bologna.” In Picturing Women in Renaissance and Baroque Italy, edited by Geraldine A. Johnson and Sara F. Matthews Grieco. Lavinia Fontana (August 24, 1552 – August 11, 1614) was an Italian painter. Lavinia Fontana, (born 1552, Bologna [Italy]—died August 11, 1614, Rome), Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. 1 The only modern biography of Lavinia Fontana is Romeo Galli, Lavinia Fontana, Pittrice (1552-1614), Imola 1940. 1552, Bologna, d. 1614, Roma) in the Web Gallery of Art, a searchable image collection and database of European art and architecture (200-1900) She was the first woman artist to paint female nudes, and was the main breadwinner of a family of 13. Lavinia Fontana was born in Bologna, the daughter of the painter Prospero Fontana, who was a prominent painter of the School of Bologna at the time and served as her teacher. Continuing the family business was typical at the time. She was the daughter of Prospero Fontana (1512-1579), a prestigious Bolognese painter with whom she trained and worked. In addition to the medal already discussed in the article, Fontana is the subject of Portrait of a Woman, 1595 by Paolo Veronese (Cheney, et al 2000). Unlike most female artists of the period, Lavinia received encouragement at home, where her father taught her to paint.