A committed, sincere artist, Rapha\u00eblle Moreau has already performed in the greatest venues in\u00a0France and abroad. Nominated in the \u201cRevelations\u201d category at the Victoires de la Musique Classique\u00a0in 2020, she won the First Grand Prize at the 16th Postacchini Competition and was awarded grants\u00a0from the Nicati-de-Luze, Or du Rhin and Banque Populaire foundations, as well as the Fondation\u00a0Marcel-Bleustein-Blanchet pour la Vocation.<\/p>\n
After studying with Rodica Bogdanas and Suzanne Gessner, she was admitted unanimously to the\u00a0Conservatoire National Sup\u00e9rieur de Musique de Paris. In 2018, she obtained a master\u2019s degree as a\u00a0soloist in Renaud Capu\u00e7on\u2019s class in Switzerland.<\/p>\n
Appointed concertmaster of the Gustav Mahler Jugendorchester at the age of twenty-one, she\u00a0has worked with Herbert Blomstedt, Jonathan Nott, Vladimir Jurowski and Lorenzo Viotti, and\u00a0has performed at the Vienna Musikverein, the Berlin Konzerthaus, the Dresden Semperoper, the\u00a0Concertgebouw Amsterdam, the Hamburg Elbphilharmonie and the Salzburg Felsenreitschule. As\u00a0a soloist, she has played with numerous orchestras, including the Orchestre Philharmonique de\u00a0Radio-France, Orchestre National de France, Orchestre Philharmonique de Strasbourg, Orchestre de\u00a0Chambre Nouvelle-Aquitaine, Orchestre National de Bordeaux, Orchestre Pasdeloup, Orchestre de\u00a0Chambre de Lausanne, Orchestre National de Metz, Lithuanian Chamber Orchestra, Orchestre de\u00a0Pau-Pays de B\u00e9arn and Georgian Chamber Orchestra, under Myung-Whun Chung, Renaud Capu\u00e7on,\u00a0Marzena Diakun, Bastien Still and Simone Young, among others.<\/p>\n
Rapha\u00eblle performs a wide repertoire, from the great classics to forgotten female composers that she\u00a0is keen to rediscover, not forgetting contemporary composers. She has premiered works by Camille\u00a0P\u00e9pin, Clara Olivares, Thierry Hersant and Gr\u00e9goire Rolland.<\/p>\n
She plays a violin made by Carlo Tononi in Bologna, generously on loan from Michael Guttman.<\/p>\n
For several years now, the press has been following the development of this \u201ccommitted pianist\u00a0with golden fingers and an impeccable technique\u201d (LexNews), whose \u201csensibility is matched\u00a0only by her mastery\u201d (T\u00e9l\u00e9rama) and who, according to Les \u00c9chos, embodies \u201cthe free spirit of\u00a0the next generation of French pianists\u201d.<\/p>\n
C\u00e9lia Oneto Bensaid graduated from the Paris Conservatoire winning five prizes brilliantly in\u00a0piano, chamber music and the three accompaniment classes. She then joined the \u00c9cole Alfred\u00a0Cortot where she obtained an advanced diploma as a concert performer. The guidance of Claire\u00a0D\u00e9sert, Brigitte Engerer, Jean-Claude Pennetier and Ren\u00e9 Shereshevskaya proved particularly\u00a0inspiring and enriching.<\/p>\n
Today, C\u00e9lia performs in the world\u2019s greatest venues, playing a carefully chosen repertoire of\u00a0solos, chamber music and concertos. She is one of the artists most committed to the rediscovery\u00a0of the feminine musical heritage. A Yamaha artist and grantee of the Banque Populaire, C\u00e9lia\u00a0has won prizes in numerous international competitions (Piano Campus, Cziffra Foundation,\u00a0Nadia and Lili Boulanger Competition, Pro Musicis, HSBC Prize at the Aix-en-Provence Festival,\u00a0etc.), and was awarded the Audience Prize by Geneva\u2019s Soci\u00e9t\u00e9 des Arts in 2017.<\/p>\n
She has recently appeared with the Orchestre d\u2019Avignon-Provence (Debora Waldman),\u00a0Orchestre de Bretagne (Aur\u00e9lien Azan Zielinski), and Orchestre de l\u2019Op\u00e9ra de Toulon (Lucie\u00a0Leguay).<\/p>\n
She has been invited to play recitals and chamber music at the Philharmonie de Paris, the\u00a0Th\u00e9\u00e2tre des Champs-\u00c9lys\u00e9es, the Festival International de Piano de La Roque d\u2019Anth\u00e9ron,\u00a0Nouveaux Horizons, L\u2019Esprit du Piano, La Folle Journ\u00e9e de Nantes, the Harbin Grand Theatre\u00a0(China), the Salamanca Hall (Japan), the Salle Bourgie (Montreal, Canada) and the Wigmore Hall.\u00a0A keen chamber musician, she has been playing with Rapha\u00eblle Moreau since 2012.<\/p>\n
Her ten or so recordings illustrate her attachment to her favourite repertoires and have been\u00a0widely acclaimed by the press (TTTT by T\u00e9l\u00e9rama, 5 stars by Classica, Le Monde\u2019s choice etc.).<\/p>\n","protected":false},"excerpt":{"rendered":"
RAPHA\u00cbLLE MOREAU A committed, sincere artist, Rapha\u00eblle Moreau has already performed in the greatest venues in\u00a0France and abroad. Nominated in the \u201cRevelations\u201d category at the Victoires de la Musique Classique\u00a0in 2020, she won the First Grand Prize at the 16th Postacchini Competition and was awarded grants\u00a0from the Nicati-de-Luze, Or du Rhin and Banque Populaire foundations, […]<\/p>\n","protected":false},"author":4,"featured_media":18393,"template":"","class_list":["post-18368","artist","type-artist","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n